{"id":1420,"date":"2006-03-03T13:44:00","date_gmt":"2006-03-03T21:44:00","guid":{"rendered":"https:\/\/www.curtiscchen.com\/journal\/2006\/03\/03\/oscars-shorts\/"},"modified":"2006-03-03T13:44:00","modified_gmt":"2006-03-03T21:44:00","slug":"oscars-shorts","status":"publish","type":"post","link":"https:\/\/www.curtiscchen.com\/journal\/2006\/03\/03\/oscars-shorts\/","title":{"rendered":"Oscar&#8217;s shorts"},"content":{"rendered":"<p>&#8220;But,&#8221; you say, &#8220;he lives in a trash can!  Why would he even need to wear pants?&#8221;<\/p>\n<p>Slow down there, buckaroo.  I&#8217;m talking about the Academy Awards, not the Grouch.<\/p>\n<p>If you&#8217;re in the bay area, you can still go to San Francisco&#8217;s <a href=\"http:\/\/www.landmarktheatres.com\/Market\/SanFrancisco\/LumiereTheatre.htm\">Lumiere Theatre<\/a> and see all of the <a href=\"http:\/\/www.landmarktheatres.com\/Films\/films_frameset.asp?id=52879\">live-action<\/a> and <a href=\"http:\/\/www.landmarktheatres.com\/Films\/films_frameset.asp?id=52880\">animated<\/a> shorts nominated for this year&#8217;s awards.  They&#8217;re presented as two separate shows, but on the same screen, so you can easily make a double feature out of it.  D and I went last Sunday and really enjoyed it.<\/p>\n<p>If you&#8217;re not local, you can <a href=\"http:\/\/news.bbc.co.uk\/2\/hi\/entertainment\/4762398.stm\">download the live-action shorts from iTunes<\/a>.  They cost $2 each, which might seem a bit steep for the amount of content you&#8217;re getting, but when you consider that it&#8217;s the only way for some people to <span style=\"font-style:italic;\">ever<\/span> see these films&#8211; totally worth it, dude.  This is the future of media.<\/p>\n<p>I might buy <a href=\"http:\/\/www.ourtimeisup.com\/\">&#8220;Our Time is Up&#8221;<\/a>, my favorite of the live-action shorts, just to support the initiative.  The film may put some people off just because it&#8217;s so quintessentially American, but it packs an entire feature&#8217;s worth of emotion and wit into just twelve minutes.  No wasted moments.  It&#8217;s a lean, mean, entertainin&#8217; machine.<\/p>\n<p>The black comedy &#8220;Six Shooter&#8221; ran a close second for me, followed by &#8220;<span style=\"font-style:italic;\">Ausreisser<\/span> (The Runaway)&#8221;.  &#8220;The Last Farm&#8221; was beautifully shot, but left me a bit cold, and not in a good way.  &#8220;Cashback&#8221; had a promising start but quickly degenerated into soft porn&#8211; again, not in a good way.<\/p>\n<p>I found it interesting that so many of the shorts&#8211; four out of five&#8211; had death as a central theme.  Are short-subject filmmakers more depressed than others?  Or do they just have more freedom, unencumbered by box office pressures, to explore darker ideas in their art?<\/p>\n<p>The animated shorts were, to my surprise, a bit disappointing.  They were all technically well done, but I literally fell asleep during the interminable &#8220;The Moon and the Son&#8221;.<\/p>\n<p>And it says something that three of the five animated shorts&#8211; \u201cThe Mysterious Geographic Explorations of Jasper Morello\u201d, &#8220;9&#8221;, and Pixar&#8217;s &#8220;One Man Band&#8221;&#8211; were very evocative of computer games in both animation style and narrative drive.  The machines in &#8220;Jasper Morello&#8221; felt like a steampunk twist on Myst; &#8220;One Man Band&#8221; reminded me of the humor in classic LucasArts adventure games; and the dialogue-free <a href=\"http:\/\/www.shaneacker.com\/\">&#8220;9&#8221;<\/a>, now being developed as a feature by Focus Features and Tim Burton, depicted a rich fantasy world that I&#8217;d gladly pay $50 to explore for more than just two hours.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;But,&#8221; you say, &#8220;he lives in a trash can! Why would he even need to wear pants?&#8221; Slow down there, buckaroo. I&#8217;m talking about the Academy Awards, not the Grouch. If you&#8217;re in the bay area, you can still go&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[1,133],"tags":[],"class_list":["post-1420","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/posts\/1420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/comments?post=1420"}],"version-history":[{"count":0,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/posts\/1420\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/media?parent=1420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/categories?post=1420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/tags?post=1420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}