{"id":1413,"date":"2006-04-21T16:45:00","date_gmt":"2006-04-21T23:45:00","guid":{"rendered":"https:\/\/www.curtiscchen.com\/journal\/2006\/04\/21\/the-thx-sound\/"},"modified":"2006-04-21T16:45:00","modified_gmt":"2006-04-21T23:45:00","slug":"the-thx-sound","status":"publish","type":"post","link":"https:\/\/www.curtiscchen.com\/journal\/2006\/04\/21\/the-thx-sound\/","title":{"rendered":"The THX Sound"},"content":{"rendered":"<p>Here&#8217;s the fascinating story of how the THX trailer sound (officially called &#8220;Deep Note&#8221;&#8211; thank you, sexually frustrated audio engineers) came to be:<\/p>\n<p><a href=\"http:\/\/musicthing.blogspot.com\/2005\/05\/tiny-music-makers-pt-3-thx-sound.html\">TINY MUSIC MAKERS: Pt 3: The THX Sound<\/a><\/p>\n<p>As Andy Moorer says in the introduction to the article, it&#8217;s quite possibly &#8220;the most widely-recognized piece of computer-generated music in the world.&#8221;  My favorite part is the fact that the generator program uses random numbers as the basis for its component oscillators, so it will never perform exactly the same gestalt of frequencies:<\/p>\n<blockquote><p>Every time I ran the C-program, it produced a new &#8220;performance&#8221; of the piece. The one we chose had that conspicuous descending tone that everybody liked. It just happened to end up real loud in that version.<\/p>\n<p>Some months after the piece was released (along with &#8220;Return of the Jedi&#8221;) they lost the original recording. I recreated the piece for them, but they kept complaining that it didn&#8217;t sound the same. Since my random-number generators were keyed on the time and date, I couldn&#8217;t reproduce the score of the performance that they liked. I finally found the original version and everybody was happy.<\/p><\/blockquote>\n<p>People say that electronic music has no soul, but maybe what we call &#8220;soul&#8221; in this case is just an ephemeral variability that feels organic.  Let&#8217;s face it, a perfect synthesizer would not sound synthesized.  Get over it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s the fascinating story of how the THX trailer sound (officially called &#8220;Deep Note&#8221;&#8211; thank you, sexually frustrated audio engineers) came to be: TINY MUSIC MAKERS: Pt 3: The THX Sound As Andy Moorer says in the introduction to the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[1,133],"tags":[],"class_list":["post-1413","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/posts\/1413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/comments?post=1413"}],"version-history":[{"count":0,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/posts\/1413\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/media?parent=1413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/categories?post=1413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.curtiscchen.com\/journal\/wp-json\/wp\/v2\/tags?post=1413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}